She’s new, she’s the re-re-reader. She’s the newbie, she’s the spoilery vet. Together they’re rereading George R.R. Martin’s A Game of Thrones and getting their POV on. Today they react to Chapter 33: Stupid Ned Stark.
Synergy is back! This is the second installment of the monthly feature. The basic gist is that one of our contributors offers a single question for our other contributors to give answer to mixed in with thoughts from talented outsiders who we force (mostly through begging) to participate.
The question fielded this month is Damon’s, and most appropriate for today as we share our single favorite romances/love stories from the 20th century on (I realize one stretches that clause, but this for fun after all!). We’ve assembled a talented group to give their answers this month; from writers, editors, an actress, and some of our own contributors!
When I was having an interesting time of it in college, I was seized with the notion that I was reading an incredibly long and detailed story about a woman named Sharon Shinn, and at some point I would reach the end of the book, look up, and find myself to be a wholly different person. (A friend of mine says this is an idea that would only occur to a writer.)
This week our featured author is critically acclaimed, award-winning writer Guy Gavriel Kay, author of the soon-to-be released novel Ysabel, and many other historical fantasies including The Last Light of the Sun and Tigana.
One of the things I find interesting about “hard” science fiction — by way of introducing Peter Watts’s Hugo-nominated novel Blindsight, the best example of the type that I have read in years — is that it is probably the most legitimate heir to the original remit of story, a remit that has existed since humans first gained sufficient consciousness and intelligence both to create stories and to need to create stories.
This week our guest is World Fantasy Award winning author Dr. Zoran Živković. Publishers in the UK and USA have snapped up Živković’s stories, written in his native Serbian, in English translation at an ever-increasing rate as his literary star has risen. His work has been compared to that of Calvino and Borges and has received praise from such notable authors as Jeff Vandermeer and Michael Moorcock. His tightly written novels and collections, beginning with The Fourth Circle and continuing to such recent publications as Seven Touches of Music and Twelve Collections and The Teashop, combine modern characters with fantastic, sometimes absurd situations, that reward careful reading but do not demand a single interpretation. His fiction often weaves a connected whole out of many seemingly separate parts—which, come to think of it, is precisely what an interview attempts to do as well.
“Are you okay?” That is the question asked, in one form or another, in nearly all of the stories that comprise Christopher Barzak’s new mosaic novel The Love We Share Without Knowing. It is a deceptively simple question. It is a question that you ask when you can sense that something is wrong, but you don’t know what, or what to do. It is a question that you may be asked when you are not behaving in accordance with someone’s idea of “normal.” And it is a question you might be asked when you are haunted. So many of Barzak’s characters are all three of these.
I can safely say that I’ve never met a Kelly Link story that I didn’t like, and, after re-reading her alchemical debut collection “Stranger Things Happen”, I’m just about ready to tell you why. First, a little recap…“Stranger Things…” burst onto the shorter fiction scene in 2001, published by Small Beer Press (who also put out my favourite ‘zine – “Lady Churchill’s Rosebud Wristlet” – and which Link co-founded). It was immediately seized upon by some big names, both in-genre and out of it.
She’s new, I’m the re-reader. She’s the newbie, I’m the spoilery vet. Together She’s g-mashin’ George R.R. Martin’s A Game of Thrones and getting here POV on. Today she moves on to Chapter 19, a Jon Snow POV chapter.
She’s new, I’m the re-reader. She’s the newbie, I’m the spoilery vet. Together She’s g-mashin’ George R.R. Martin’s A Game of Thrones and getting here POV on. Today she moves on to Chapter 18, a Catelyn Stark POV chapter.
“The Rose in Twelve Petals” begins Theodora Goss’s newly-in-paperback collection In the Forest of Forgetting, and the story makes an ideal introduction to the the author’s work. A retelling of the classic Sleeping Beauty story, it frames and then re-frames our expectations. The initial recognition of the familiar story pulls us into the the fairy tale mindset: of stories that map the small journeys and decisions that can unexpectedly lead to major life changes; of characters and encounters that we understand to be meant not quite literally, yet not as simple allegory either.
Aaron Dembski-Bowden is a new author for The Black Library, Games Workshop’s publishing arm. Though only three novels into his Black Library writing career, he has fast developed a devoted following of both die-hard Warhammer 40K fans and people only recently brought into the fold. His radical approach to writing and his outspoken and uncensored view of both the 40K world and the challenges of writing within it have sparked discussion and controversy in equal measure.
Getting to Know You is only David Marusek’s second book, but he is already a veteran of the science fiction wars. Marusek’s 2005 novel Counting Heads was the subject of the debut speculative fiction column “Across the Universe” in that bastion of mainstream fiction, The New York Times Book Review; the column both proclaimed Counting Heads to be among the reviewer’s “favorite books [of 2005] in any category” and yet wondered, “why does contemporary science fiction have to be so geeky” that it becomes inaccessible to readers of mainstream literature?
First off, I’d like to thank Michael Cisco for agreeing to this interview and welcome him as our guest at Boomtron. Michael Terry Cisco is an American writer and teacher. He currently resides in New York City and probably best known for his first novel, The Divinity Student, which has won the prestigious of the International Horror Guild Award for Best First Novel of 1999. Other works by Cisco include The Tyrant (2003), The San Veneficio Canon (2004) and two books published last year, The Traitor and Secret Hours.
Daytripper, the ten issue maxi series comic by Gabriel Ba and Fabio Moon, is an almost-surreal life study of one man, Brás de Oliva Domingos, and how he has lived his life. Each issue is a slice of life tale where we are presented with one day in Brás’ life. Sadly, however (and this shouldn’t be spoiling anything since the title has finished), at the conclusion of each issue Brás manages to die. Each death represents how any moment can be our last and we never know when that moment will really come. Each death, I feel, also represents how aspects of our lives can, and will die, and how they probably should.
I have a set of bright memories associated with various of Guy Gavriel Kay’s novels: Sitting, aged 13, grief-stricken and sobbing in a cold bath having finished “The Darkest Road”, the final weft in his Fionavar Tapestry; drooping in my early morning lectures five years later having welcomed in the dawn with the last page of his “Lions of Al-Rassan”; throwing myself down into my pillows and grinning, grinning, grinning at the promise of a second book in the Sarantine Mosaic duology. This last is hardly tinted with the same nostalgia, what with it only happening yesterday evening but you take my meaning.
Joe Abercrombie is the author of the First Law trilogy and Best Served Cold. I have been a fan since the first book in the First Law found me in a bookstore, so I was very excited to ask him a few questions. We talk shop on everything from doing research for fantasy books to the inspiration behind his next book to his favorite curse word and more.
Theodora Goss only began publishing her short fiction and poetry in 2002 but already her work has appeared in some of the genre’s most respected publications (including “Realms of Fantasy”, “Strange Horizons”, “Polyphony” and “Lady Churchill’s Rosebud Wristlet”).
The labels “science fiction” and “speculative fiction” have long been entwined, with speculative fiction variously considered synonymous with science fiction or an umbrella that contains science fiction. And indeed most science fiction is speculative, either in the form of selective futurism, extrapolating and highlighting present trends, or as thought experiments on present questions of human nature (or both). What is increasingly interesting then about David Louis Edelman’s Jump 225 trilogy, of which MultiReal is the second volume, is how it is becoming less a work that addresses the present indirectly, through such speculation, and more a work that seeks to directly capture the zeitgeist, the feeling and the texture of the present. It does so not by in-depth mimicry of the present, but by using science fiction to construct a credible model of the present.
Ah, the Cold War. Growing up as I did in the Eighties, there was no greater Bad Guy in film or print as evil or subversive or insidious as the Russians. They were the eternal enemy, lurking across the ocean at the business end of a fleet of ICBMs. It was a time of uncertainty, of mistrust, of a vague feeling that global nuclear catastrophe could happen at any time. Not just that you might die, or your brother in the service might die, but that everyone might die. That the culmination of human endeavors to this point might just end after the hasty push of a big red button.